Edward hopper wife
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Edward Hopper
American painter and printmaker (1882–1967)
Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Born in Nyack, New York, to a middle-class family, Hopper's early exposure to art was nurtured by his parents. He studied at the New York School of Art under William Merritt Chase and Robert Henri, where he developed his signature style, characterized by its emphasis on solitude, light, and shadow.
Hopper's work, spanning oil paintings, watercolors, and etchings, predominantly explores themes of loneliness and isolation within American urban and rural settings. His most famous painting, Nighthawks (1942), epitomizes his interest in the quiet, introspective moments of everyday life. Despite a slow start, Hopper achieved significant recognition by the 1920s, with his work becoming a staple in major American museums. Hopper's technique, marked by a composition of form and use of light to evoke mood
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Edward Hopper
1882–1967
Hopper and the Northeast
As a young artist in 1899, Hopper began commuting into the city from his hometown of Nyack—less than thirty miles north of Manhattan—to study at the New York School of Illustrating and then, one year later, at the New York School of Art. Afterward, he began pursuing freelance illustration work while continuing to paint. Funded by his commercial assignments, Hopper traveled to Paris for three extended visits between 1906 and 1910. During these trips, Hopper sketched and painted outdoors, creating luminous, loosely rendered cityscapes that helped him develop a sense of how to frame the built environment around him.
Back in New York, Hopper established his career as a chronicler of the modern urban experience. From 1915 to the early 1920s, he forged a rigorous printmaking practice, consolidating many of his impressions of the city and sharpening his compositional skills to experiment with light and shadow in black and white. The window became one of Hopper’s most enduring symbols. In his prints and mature paintings, he exploit
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Edward Hopper Boigraphy
Born in 1882 in Nyack, a small town on the Hudson River about forty miles north of New York City, Edward Hopper was the son of a local businessman. After spending a brief period at a school for illustrators, he attended the New York School of Art from 1900 to 1906. His teachers there were William Merritt Chase, Kenneth Hayes Miller, and Robert Henri. Henri, above all, became important to Hopper, not so much in artistic as in personal terms, for Henri was a man who set high standards for himself and his students. It was also he who pointed out that everyday American life contained an inexhaustible reservoir of new and untried subject matter.
Robert Henri has gone down in art history as a co-founder of The Eight, a group of artists who in spring 1908, prevented from exhibiting in the prestigious National Academy of Design, mounted their own show at the Macbeth Gallery, New York. Henri set European masters on a par with the American artists he admired, even giving them priority, and that not only in chronological terms. In the late 1880s and the midd
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