Rachmaninoff family tree

Sergei Rachmaninoff

Russian composer, pianist and conductor (1873–1943)

"Rachmaninoff" redirects here. For other uses, see Rachmaninoff (disambiguation).

Sergei Rachmaninoff

Rachmaninoff in 1921

Born1 April [O.S. 20 March] 1873

Semyonovo, Staraya Russa, Novgorod Governorate, Russian Empire

Died28 March 1943(1943-03-28) (aged 69)

Beverly Hills, California, U.S.

WorksList of compositions

Sergei Vasilyevich Rachmaninoff[a][b] (1 April [O.S. 20 March] 1873 – 28 March 1943) was a Russian composer, virtuosopianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachman

Biography

Sergei Rachmaninov’s music is characterised by sweeping melodies, virtuosic pianism and heady orchestration. His Moscow training equipped him first and foremost to be a concert pianist but as a young composer he showed prodigious gifts, stunning his mentor Tchaikovsky with the C sharp minor Prelude and the one-act opera Aleko he composed while still in his teens. Tchaikovsky’s influence is reflected in the opera, based on Pushkin’s tale of an urban man seduced by a Carmen of the Steppes. The grand man of Russian music died prematurely in 1893, leaving Rachmaninov bereft. The next few years of late adolescence were painful. An unhappy 1897 premiere for his First Symphony, conducted by an unstable Alexander Glazunov, is supposed to have triggered a deep depression cured only by the hypnosis of Dr Nikolai Dahl, though more recent research suggests that Dahl’s pretty daughter was more likely to have been the reason for Rachmaninov’s convalescence. Yet during that time, he worked hard at nurturing another talent as an opera conductor. Rachmaninov left behind only three much

Rachmaninoff and His World

Table of Contents

Introduction
            Philip Ross Bullock
Permissions and Credits
Acknowledgments
Note on Transliteration and Dating
 
MOSCOW AND MODERNITY
Reading the Popular Pessimist: Thought, Feeling, and Dance in Rachmaninoff’s Symphonic Narrative
            Peter Franklin
Sergei Rachmaninoff and Moscow Musical Life
            Rebecca Mitchell
Love Triumphant: Rachmaninoff’s Eros, the Silver Age, and the Middlebrow
            Marina Frolova-Walker
Rachmaninoff and the “Vocalise”: Word and Music in the Russian Silver Age
            Philip Ross Bullock
 
THREE OPERAS
Tchaikovsky’s Echoes, Chaliapin’s Sobs: Aleko, Rachmaninoff, and the Contemporary
         &#

Copyright ©hubdebt.pages.dev 2025