Mickalene thomas daughter
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Mickalene Thomas
Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Rhinestones—the artist’s signature material and a symbol of femininity—serve as an added layer of meaning and a metaphor of artifice. Thomas uses rhinestones to shade and accentuate specific elements of each painting, while subtly confronting our assumptions about what is feminine and what defines women.
Thomas has drawn inspiration from multiple artistic periods and cultural influences throughout Western art history, particularly the early modernists such as Jean-Auguste-Dominique Ingres, Pablo Picasso,
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Mickalene Thomas
American painter
Mickalene Thomas | |
|---|---|
Thomas speaking April 2017 at the Smithsonian American Art Museum | |
| Born | (1971-01-28) January 28, 1971 (age 54) Camden, New Jersey |
| Nationality | American |
| Education | Pratt Institute, Southern Cross University, Yale University |
| Known for | painting, photography, collage, sculpture, printmaking, video art and installation art |
| Website | mickalenethomas.com |
Mickalene Thomas (born January 28, 1971) is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel.[1] Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili.[2][3] Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.[1]
Early life and education
Mickalene Thomas was born on January 28, 1971, in
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Alma Thomas
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond offers a rich vision of twentieth-century visual culture. An essay by Richard Powell sets the stage: his analyses of works by Sargent Johnson, Renée Stout, Eldzier Cortor, and Alma Thomas give the reader a rubric for considering other works that range from the Harlem Renaissance to the decades beyond the civil rights era, a period that saw tremendous social and political change. The forty-three artists included here worked in every style current during those decades, from documentary realism to abstraction, from expressionism to postmodern assemblage. They consistently touch universal themes, but they also evoke specific aspects of the African American experience—the African Diaspora, jazz, and the persistent power of religion.
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